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                <text>Original: Femme au fauteuil No.1 (Le Manteau polonais)&#13;
Translation: Woman in an Armchair No.1 (The Polish Cloak)</text>
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                <text>The painting depicts Françoise Gilot, who was Picasso's companion in the 40s. As the title suggests, she is sitting on a chair while wearing a coat he brought her from Poland, after attending the first World Peace Congress in Wroclaw in 1948.&#13;
Picasso made six versions of this lithograph. However, this is the definitive state of the second version.</text>
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                <text>The Tate Museum</text>
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        <name>Femme au fauteuil No.1 (Le Manteau polonais)</name>
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        <name>Woman in an Armchair No.1 (The Polish Cloak)</name>
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                <text>Original: Tête de jeune garçon&#13;
Translation: Head of a Young Boy&#13;
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                <text>This is one of the earliest lithographs produced by Picasso in Mourlort's atelier in Paris. It has been interpreted as a nostalgic memory of himself as a young boy. This is the third and final state of the lithograph and was made on 11/7/1945.&#13;
Picasso first went to the atelier of Fernand Mourlot on 11/02/1945 and returned there to work every day for four months, arriving before 9:00 AM and leaving after 8:00 PM.  Together they produced 179 lithographs in the span of 4 years. </text>
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                <text>Pablo Picasso</text>
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                <text>11/07/1945</text>
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        <name>Tête de jeune garçon</name>
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              <text>322x440mm</text>
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            <description>A name given to the resource</description>
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                <text>Original: Le Pichet noir et la tête de mort&#13;
Translation: Black Jug and Skull&#13;
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                <text>This lithograph was made on 02/20/1946 and, as the title suggests, depicts a human skull and an open book on the table. It was made on the atelier of Fernand Mourlot using lithographic crayon and ink. This lithograph can be associated with the suffering and death caused by World War II. On the same day, Picasso also made another lithograph with a lighter, more immediate touch which was entitled Composition with Skull.</text>
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                <text>Pablo Picasso</text>
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                <text>The Tate Museum</text>
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                <text>Lithograph on paper</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>P11365</text>
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          <name>Physical Dimensions</name>
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              <text>567x760mm</text>
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            <description>A name given to the resource</description>
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                <text>Original: La Colombe&#13;
Translation: Dove</text>
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                <text>This is a lithograph made by Picasso on 01/09/1949 in the atelier of Fernand Mourlot in Paris. It is a simple composition that, as the title suggests, depicts a dove which is a symbol of peace. Mourlot called it 'one of the most beautiful lithographs ever achieved.'&#13;
Picasso was known to be a defender of peace, having produced anti-war pieces such as Guernica and attended World Peace Congresses in Wroclaw, Paris, Sheffield, and Rome. Dove was used to illustrate the poster of the 1949 Paris Peace Congress. His fourth daughter, who was named Paloma (the Spanish word for dove), was born the day before the event.</text>
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                <text>Pablo Picasso</text>
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                <text>The Tate Museum</text>
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                <text>01/09/1949</text>
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                <text>Lithograph on paper</text>
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        <name>La Colombe</name>
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              <text>495x762mm</text>
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            <description>A name given to the resource</description>
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                <text>Composition</text>
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                <text>"It took me four years to paint like Raphael, but a lifetime to paint like a child." - Pablo Picasso</text>
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                <text>1948</text>
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                <text>Lithograph on paper</text>
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